Meet Waradis: Fjord

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Meet Waradise


Meet Waradise: a temporary venue for things to happen. Directed by Alice Wells, with a forthcoming exhibition curated by Karen Archey, and design by Caroline Askew.

17 Orchard Street New York, NY / www.meetwaradise.com / meet@meetwaradise.com

Meet Waradise – Fjord is a one-night exhibition in which the general expectations of a photography exhibition will be broken and the viewer will be able to directly interact with the photographs. This exhibition features the work of 66 photographers from the Fjord collective. The photographs will be displayed in an un-mounted, un-bound fashion in order to promote direct interaction between the viewers and the work.

Exhibiting photographers are:

Dustin Aksland, Nicole Akstein, Mary Amor, Michelle Arcila, Daniel Augschöll, Mikaylah Bowman, Coley Brown, Alana Celii, Céline Clanet, Gerald Edwards III, Jon Feinstein, Bea Fremderman, Dana Gentile, Gustav Gustafsson, Jessica Hans, Paul Herbst, Nicola Kast, Clare Kelly, Jonathan Knobel, Andrew Laumann, Shane Lavalette, Bryan Lear, Miranda Lehman, Seth Lower, Sophie Lvoff, Michael Marcelle, Alexander Martinez, Lydia Anne McCarthy, Andrew McComb, Mark McKnight, Ye Rin Mok, Chad Muthard, Erin Nelson, Erika Neola, Jennifer Niederhauser, Kaarel Nurk, Grady O’Connor, Ulijona Odisarija, Nils Orth, Cristina Maria Oswald, Justin James Reed, Jessica Roberts, Lazaro Rodriguez, Tamara Rosenblum, Bryan Schutmaat, Daniel Shea, Brea Souders, Jake Stangel, Will Steacy, Tim Steer, Sean Stewart, Joseph Tripi, Brad Troemel, Jesper Ulvelius, Elo Vazquez, Kamden Vencill, Corrie Vierregger, Greg Wasserstrom, Shen Wei, Alice Wells, Ian Whitmore, Mark Wickens, Jessica Williams, Grant Willing, Sarah Wilmer, and Davin Youngs

Curated by: Alana Celii and Grant Willing

Fjord is a project that showcases the photography of young, up-and-coming photographers. The drastic shift in the way work is being presented today has become especially noticeable in the more technologically adept generation. Fjord's goal is to bring together a collection of notable photographers from the Internet and showcase their work in physical form. This transition from Internet to physicality will allow a different audience to experience the work thus bringing emerging artists into the public's view.

www.fjordphoto.org

Recent Thoughts

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iIsolated converation, Oct 23 approx. 2:50 pm

Just a few thoughts on thesis and other things:

NukeFish Burger, October, 2008

Ray-BanwichRay-banwich, October, 2008


Untitled
Meadville, PA, October, 2008

Epson Scanerific
Epson Flatbed Scanner


Katie
Katie, Slippery Rock, PA. September 2008.


LETOMLetom, Near Quakertown, PA. October 2008
Van GoghVan Gogh, Meadville, Pa

I'm currently in Meadville, Pennsylvania dealing with post-food sickness, time, and a brief history of neo-mindlessness with a 4x5. But still, there's no thesis work in sight.
 MeadvilleMap of Meadville, Google Maps

Here's some history for you youngin's:

0_100/2 Summer

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I'm pleased to be apart of 0_100's summer issue along side a list of wonderful photographers.  

The new issue is out now and you can reserve yourself a copy at www.0_100editions.com.  A presentation will follow this September in Milan.  

Lush Lush, Brooklyn, NY. Summer 2008

While packing my things into boxes, I found  a book beneath my bed and turned to a page that read the following poem by Galway Kinnel.  I'm leaving Brooklyn on my dad's birthday, August 27th. 

    1
In the evening
haze darkening on the hills,
purple of the eternal,
a last bird crosses over,
flop flop,’ adoring
only the instant.

    2
Nine years ago,
in a plane that rumbled all night
above the Atlantic,
I could see, lit up
by lightning bolts jumping out of it,
a thunderhead formed like the face
of my brother, looking down
on blue,
lightning-flashed moments of the Atlantic.

    3
He used to tell me,
“What good is the day?
On some hill of despair
the bonfire
you kindle can light the great sky—
though it’s true, of course, to make it burn
you have to throw yourself in ...”

    4
Wind tears itself hollow
in the eaves of these ruins, ghost-flute
of snowdrifts
that build out there in the dark:
upside-down ravines
into which night sweeps
our cast wings, our ink-spattered feathers.

    5
I listen.
I hear nothing. Only
the cow, the cow of such
hollowness, mooing
down the bones.

    6
Is that a
rooster? He
thrashes in the snow
for a grain. Finds
it. Rips
it into
flames. Flaps. Crows.
Flames
bursting out of his brow.

    7
How many nights must it take
one such as me to learn
that we aren’t, after all, made
from that bird that flies out of its ashes,
that for us
as we go up in flames, our one work
is
to open ourselves, to be
the flames?

Galway Kinnell, “Another Night in the Ruins”

Big Sky

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bigtreesky.jpgTrees at night, August, 2008.

As the we turn the last corner of summer, I've been wondering what to base this blog around.  For now, it will just pertain to updates of me.  Fall is almost here, and it's time for wandering blindly down highways with a view camera, looking for a glimpse of something oddly beautiful and strikingly normal. Intermittently, I might attend a class or two (or six).

Fall class list:

The American West
Platinum & Palladium Printing
Thesis I
History of Contemporary Photography
Jewish Literature and Civilization
Photography and Business

What a line up.  It's going to be a long fall.  Currently I'm packing up my apartment in Brooklyn to make a small jaunt back to beloved (and somewhat malevolent) Philadelphia.  With one week left in New York, I hope to see some of your friendly faces once more before trading one urbania for another.  Thank you for all of your kindness and company this summer.

something or other something or other, photographs from the U.K.

Here is a small (lulu) version of a book I made while I was in London.  You can buy a copy here.

Printed: 61 pages, 9" x 7", perfect binding, full-color interior ink 

something or other

Glassport Garage.jpgGlassport, PA. Winter 2008

Excerpt from last years potential blog, The Democratic Landscape:

A blog about the following:

1. The recent changes throughout the landscape in post-industrialized America, specifically the areas you call home, and how these intimate structures and personalities are being sacrificed due to globalization, simplification, and complications, the inhibition of expressing oneself, and placement of incompatence within public elementary schools. This is a place for posting photographic findings--ramblings about art, life, social structure, and the interruptions of such things. We are to wade through most of the 21st century blind to the past, or awaken to a new day of conservation of what little precious spaces we have left. More posting to come soon reflecting on the situation at hand and feet.

2. Special types of cheeses across Europe.

Gasp! You're afoot, go out in the blogosphere and make something of yourself.


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